Ernst & Young Tax Guide 2014 PDF Free Download

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Summary of Max Ernst

German-born Max Ernst was a provocateur, a shocking and innovative artist who mined his unconscious for dreamlike imagery that mocked social conventions. A soldier in World War I, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. Spending the majority of his life in France, during WWII Ernst was categorized as an 'enemy alien'; the United States government affixed the same label when Ernst arrived as a refugee. In later life, in addition to his prolific outpouring of paintings, sculpture, and works-on-paper, Ernst devoted much of his time to playing and studying chess which he revered as an art form. His work with the unconscious, his social commentary, and broad experimentation in both subject and technique remain influential.

Accomplishments

  • Max Ernst attacked the conventions and traditions of art, all the while possessing a thorough knowledge of European art history. He questioned the sanctity of art by creating non-representational works without clear narratives, by making sport of religious icons, and by formulating new means of creating artworks to express the modern condition.
  • Ernst was profoundly interested in the art of the mentally ill as a means to access primal emotion and unfettered creativity.
  • Ernst was one of the first artists to apply dream theories investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery.
  • Interested in locating the origin of his own creativity, Ernst attempted to freely paint from his inner psyche and in an attempt to reach a pre-verbal state of being. Doing so unleashed his primal emotions and revealed his personal traumas, which then became the subject of his collages and paintings. This desire to paint from the sub-conscious, also known as automatic painting was central to his Surrealist works and would later influence the Abstract Expressionists.

Biography of Max Ernst

Ernst & Young Tax Guide 2014 PDF Free Download

Max Ernst was born into a middle-class Catholic family of nine children in Bruhl, Germany, near Cologne. Ernst first learned to paint from his father, a strict disciplinarian who was deaf, and a teacher who held an avid interest in academic art. A good deal of Ernst's work as an adult sought to undermine authority including that of his father. Other than this introduction to amateur painting at home, Ernst never received any formal training in art: thus he was responsible for his own artistic techniques. Ernst matriculated at the University of Bonn in 1914 to study philosophy but soon abandoned it, later claiming that he avoided 'any studies which might degenerate into breadwinning.' Instead, the artist preferred those areas of study considered 'futile by his professors - predominately painting...seditious philosophers, and unorthodox poetry.' At this time, Ernst became deeply interested in psychology and the art of the mentally ill. When World War I broke out Ernst was conscripted into the German army and served in an artillery division in which he directly experienced the drama and bloodshed of trench warfare - he served on both the Eastern and Western Fronts. Ernst was one of multiple artists who emerged from military service emotionally wounded and alienated from European traditions and conventional values.

Joni Ernst

Max Ernst (2 April 1891 – 1 April 1976) was a German painter, sculptor, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and Surrealism.
Max Ernst was born in Brühl, near Cologne, the third of nine children of a middle-class Catholic family. His father Philipp was a teacher of the deaf and an amateur painter, a devout Christian and a strict disciplinarian. He inspired in Max a penchant for defying authority, while his interest in painting and sketching in nature influenced Max to take up painting himself. In 1909 Ernst enrolled in the University of Bonn, studying philosophy, art history, literature, psychology and psychiatry. He visited asylums and became fascinated with the art of the mentally ill patients; he also started painting that year, producing sketches in the garden of the Brühl castle, and portraits of his sister and himself. In 1911 Ernst befriended August Macke and joined his Die Rheinischen Expressionisten group of artists, deciding to become an artist. In 1912 he visited the Sonderbund exhibition in Cologne, where works by Pablo Picasso and post-Impressionists such as Vincent van Gogh and Paul Gauguin profoundly influenced his approach to art. His own work was exhibited the same year together with that of the Das Junge Rheinland group, at Galerie Feldman in Cologne, and then in several group exhibitions in 1913.
In 1914 Ernst met Hans Arp in Cologne. The two soon became friends and their relationship lasted for fifty years. After Ernst completed his studies in the summer, his life was interrupted by World War I. Ernst was drafted and served both on the Western and the Eastern front. Such was the devastating effect of the war on the artist that in his autobiography he referred to his time in the army thus: 'On the first of August 1914 M[ax].E[rnst]. died. He was resurrected on the eleventh of November 1918.' However, for a brief period on the Western Front, Ernst was assigned to chart maps, which allowed him to continue painting. Several German Expressionist painters died in action during the war, among them August Macke and Franz Marc.
Ernst was demobilized in 1918 and returned to Cologne. He soon married art history student Luise Straus, whom he had met in 1914. In 1919, Ernst visited Paul Klee in Munich and studied paintings by Giorgio de Chirico, which deeply impressed him. The same year, inspired partly by de Chirico and partly by studying mail-order catalogues, teaching-aide manuals, and similar sources, he produced his first collages (notably Fiat modes, a portfolio of lithographs), a technique which would come to dominate his artistic pursuits in the years to come. Also in 1919 Ernst, social activist Johannes Theodor Baargeld, and several colleagues founded the Cologne Dada group. In 1919–20 Ernst and Baargeld published various short-lived magazines such as Der Strom and die schammade, and organized Dada exhibitions.
Ernst and Luise's son Ulrich 'Jimmy' Ernst was born on 24 June 1920; he also became a painter. Ernst's marriage to Luise was short-lived. In 1921 he met Paul Éluard, who became a close lifelong friend. Éluard bought two of Ernst's paintings (Celebes and Oedipus Rex) and selected six collages to illustrate his poetry collection Répétitions. A year later the two collaborated on Les malheurs des immortels, and then with André Breton, whom Ernst met in 1921, on the magazine Littérature. In 1922, unable to secure the necessary papers, Ernst entered France illegally and settled into a ménage à trois with Éluard and his wife Gala in Paris suburb Saint-Brice, leaving behind his wife and son. During his first two years in Paris, Ernst took various odd jobs to make a living and continued to paint. In 1923 the Éluards moved to a new home in Eaubonne, near Paris, where Ernst painted numerous murals. The same year his works were exhibited at Salon des Indépendants.

Ernst & Young Tax Guide 2014 PDF Free Download

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